Catholic Commentary
Hatred of Labor and the Anguish of Leaving One's Toil to Another
17So I hated life, because the work that is worked under the sun was grievous to me; for all is vanity and a chasing after wind.18I hated all my labor in which I labored under the sun, because I must leave it to the man who comes after me.19Who knows whether he will be a wise man or a fool? Yet he will have rule over all of my labor in which I have labored, and in which I have shown myself wise under the sun. This also is vanity.20Therefore I began to cause my heart to despair concerning all the labor in which I had labored under the sun.21For there is a man whose labor is with wisdom, with knowledge, and with skillfulness; yet he shall leave it for his portion to a man who has not labored for it. This also is vanity and a great evil.22For what does a man have of all his labor and of the striving of his heart, in which he labors under the sun?23For all his days are sorrows, and his travail is grief; yes, even in the night his heart takes no rest. This also is vanity.
Work divorced from God's purpose can only exhaust you—Qoheleth's crisis is the crisis of building a life that your death will steal from you.
Qoheleth, surveying all his great works and achievements, arrives at a crisis of meaning: not only is human labor exhausting and transient, but it must inevitably be surrendered to an unknown heir who may squander everything. This meditation on the futility of toil "under the sun" — that is, within a purely horizontal, this-worldly horizon — strips away the illusion that accomplishment alone can satisfy the human heart. The passage does not counsel laziness, but rather exposes the spiritual bankruptcy of labor divorced from God.
Verse 17 — "So I hated life": This shocking declaration caps the extended experiment of chapters 1–2, in which the royal persona of Qoheleth ("the Preacher," traditionally associated with Solomon's wisdom) has systematically tested every human avenue to fulfillment: pleasure, building projects, vineyards, servants, silver, and song (2:1–10). The word "hated" (Hebrew: śānēʾ) is hyperbolic but deliberate — it is the language of existential revulsion, not suicidal despair. The phrase "under the sun" (taḥat haššemeš), one of Ecclesiastes' governing refrains, defines the scope of the inquiry: life viewed purely from within the created order, without reference to God's transcendent purpose. "A chasing after wind" (rĕʿût rûaḥ) — literally a "shepherding of wind" — captures the absurdity of trying to possess what cannot be grasped.
Verse 18 — "I hated all my labor… because I must leave it to the man who comes after me": The anguish here is specifically about succession. The labor praised in 2:11 as "my achievement" (ʿămālî) now becomes a source of dread precisely because possession of it is temporary. Qoheleth has poured wisdom, energy, and selfhood into his works, and death will transfer them to a stranger. The legal and cultural reality of inheritance in the ancient Near East underlies this: wealth did not simply evaporate at death but passed intact — with all its accumulated meaning — into hands that had no share in its creation.
Verse 19 — "Who knows whether he will be a wise man or a fool?": The rhetorical question intensifies the torment. The heir is entirely unknown and unchosen. The wisdom (ḥokmāh) that Qoheleth has "shown under the sun" — his very intellectual identity — will be administered by someone who may be its opposite. Jewish tradition saw in this a veiled allusion to the folly of Rehoboam, Solomon's son, whose misrule (1 Kings 12) squandered the Solomonic legacy almost immediately. "This also is vanity" — the phrase becomes a refrain of accumulating despair through this section.
Verse 20 — "I began to cause my heart to despair": The Hebrew yāʾaš (despair, turn aside in hopelessness) is a strong word. Qoheleth does not merely feel sad; he actively reorients his inner disposition toward grief. This verse marks the emotional nadir of the passage. The "heart" (lēb) in Hebrew anthropology is the seat of reason and will, not merely emotion — so this is a collapse of rational confidence, not mere sentiment.
Verse 21 — "A man whose labor is with wisdom, with knowledge, and with skillfulness": Three terms are stacked — (wisdom), (knowledge), (skill/competence) — to emphasize the quality of the labor now at risk. These are not random achievements but the fruit of a cultivated and virtuous mind. That such a man must leave his "portion" () to one who "has not labored for it" is called "a great evil" () — one of the strongest negative moral evaluations in the book. The cosmic injustice here is real: the structure of mortality itself seems to mock diligent virtue.
Catholic tradition reads Ecclesiastes not as pessimism but as a via negativa of wisdom — a stripping away of false ultimates that prepares the soul for the true one. St. Jerome, who translated Ecclesiastes into the Vulgate and wrote a celebrated commentary on it, urged the Roman noblewoman Blesilla to meditate on vanitas vanitatum precisely as a school of detachment: "Let her read Ecclesiastes so that she may learn to scorn the things of this world" (Epistola XXII). St. Gregory the Great, in his Moralia in Job, links this kind of restless nocturnal anxiety (v. 23) to the soul that has not yet rested in God — anticipating Augustine's famous cor inquietum in Confessions I.1: "Our heart is restless until it rests in Thee."
The Catechism of the Catholic Church directly engages the anthropological problem raised here. CCC §2289 warns against making work an idol, and CCC §2426–2427 teaches that human work participates in God's creative activity and finds its dignity only within that theological framework. When work is pursued "under the sun" alone — as Qoheleth's experiment frames it — it collapses under its own weight. John Paul II's encyclical Laborem Exercens (1981) provides the positive counterpoint: labor has a "subjective" dimension in which the worker expresses and develops his dignity as imago Dei (§6). Qoheleth's anguish is precisely the absence of this dimension.
The "inheritance" problem of verses 18–21 also carries rich typological weight. The Fathers (especially Origen in his Homilies on Ecclesiastes) read the unknown heir as a figure of the devil or of sin — the one who seizes the fruits of human effort when those efforts are not oriented to God. Positively, Christ himself is the heir (klēronómos) of all things (Hebrews 1:2), and in him our labor is not lost but transformed and recapitulated: "your labor is not in vain in the Lord" (1 Corinthians 15:58).
Contemporary Catholics face an intensified version of Qoheleth's crisis. In a culture of productivity metrics, career identity, and legacy anxiety — where self-worth is routinely measured in output — these verses function as a pastoral intervention. A professional who has spent decades building a business, a parent who has poured life into children who may abandon the faith, a priest who has built a thriving parish only to see it restructured: each knows the specific grief of verse 21. The spiritual discipline Qoheleth inadvertently models is this: allow the stripping of false supports to reveal what actually remains. Catholic tradition channels this grief into detachment — not indifference to work, but freedom from possessive investment in its outcomes. The practical application is the offertorium mindset: bring your labor to the altar, offer it to the one who redeems what we cannot preserve. St. Josemaría Escrivá's teaching on the "sanctification of work" (Conversations, §55) is a direct Catholic answer to Qoheleth's lament: work done in union with Christ is never ultimately surrendered to an unworthy heir, because it is already God's.
Verses 22–23 — "What does a man have of all his labor?": These closing verses deliver the existential verdict. The laborer has nothing to "show" for his toil in any permanent sense. The phrase "striving of his heart" (raʿyôn libbô) echoes the earlier "chasing after wind" — it is the anxious, restless reaching of a self that cannot find its end. Verse 23 completes the portrait with harrowing specificity: days that are "sorrows," nights without rest. The insomniac detail is striking — even unconsciousness offers no reprieve, because the driven heart cannot cease its labor even in sleep. This anticipates the New Testament image of anxiety as the defining spiritual disease of those who serve mammon rather than God (Matthew 6:25–34).
Typological/Spiritual Sense: Read in the light of Christian tradition, this passage is a diagnosis of the homo faber — the human being as mere maker — who has not yet discovered that the true end of labor is participation in God's creative work. The "vanity" (hebel, literally "breath" or "vapor") that pervades these verses is the Fathers' vanitas vanitatum, a recurring touchstone for the transience of earthly goods. The passage implicitly cries out for the eschatological perspective that Ecclesiastes itself will only gesture toward (12:13–14) and that the New Testament will fully supply.