Catholic Commentary
The Four Living Creatures (Cherubim) (Part 1)
5Out of its center came the likeness of four living creatures. This was their appearance: They had the likeness of a man.6Everyone had four faces, and each one of them had four wings.7Their feet were straight feet. The sole of their feet was like the sole of a calf’s foot; and they sparkled like burnished bronze.8They had the hands of a man under their wings on their four sides. The four of them had their faces and their wings like this:9Their wings were joined to one another. They didn’t turn when they went. Each one went straight forward.10As for the likeness of their faces, they had the face of a man. The four of them had the face of a lion on the right side. The four of them had the face of an ox on the left side. The four of them also had the face of an eagle.11Such were their faces. Their wings were spread out above. Two wings of each one touched another, and two covered their bodies.12Each one went straight forward. Where the spirit was to go, they went. They didn’t turn when they went.
Four faces, one gaze: Ezekiel's cherubim see in all directions at once, a cosmic image of the Church's four-fold Gospel witness moving as a single body toward Christ.
In the opening of his prophetic call, Ezekiel beholds four living creatures emerging from a stormy theophany — beings of terrifying symmetry, bearing four faces, four wings, and the hands of a man, moving with absolute unity of purpose wherever the Spirit directs. These creatures, later identified as cherubim (Ezek 10:20), form the living chariot-throne of God (the merkabah), and their composite faces — man, lion, ox, and eagle — encode the fullness of created life before the Most High. The passage is one of Scripture's most sustained attempts to describe the indescribable: the mobile, living glory of YHWH manifesting to a priest-prophet in Babylonian exile.
Verse 5 — "The likeness of four living creatures... the likeness of a man" Ezekiel is careful at every turn to speak in likenesses (demût) and appearances (mar'eh), never claiming direct sight of God. This is not false modesty but theological precision: the prophet approaches the divine with the same reverence Moses showed before the burning bush. The number four is immediately significant — in biblical cosmology, four is the number of totality in the created order (four winds, four corners of the earth; cf. Ezek 37:9; Rev 7:1). That these creatures have "the likeness of a man" as their base form signals that humanity holds a privileged place among creatures as the imago Dei, even within this cosmic assembly.
Verse 6 — "Four faces... four wings" Each creature does not rotate between faces; it simultaneously possesses all four. This is a simultaneity of vision impossible to any natural being — a quality pointing to the angelic mode of knowledge, which Thomas Aquinas describes as intuitive rather than discursive (Summa Theologiae I, q.58). Four wings likewise speak of completeness: two for flight (divine service and mission) and two for covering (reverence before the Holy; cf. Isa 6:2, where seraphim cover themselves before YHWH).
Verse 7 — "Straight feet... like burnished bronze" The "straight" (Hebrew yashar, "straight" or "upright") feet convey moral and directional integrity — these beings do not swerve. The calf's-hoof sole may evoke solidity and groundedness even in heavenly locomotion. The burnished bronze (nechoshet qalal) recalls the material of the Temple's great basin (the yam, 1 Kgs 7:45) and of the bronze serpent (nachash nechoshet, Num 21:9) — an alloy associated with divine judgment and purification. The gleaming quality speaks of a purity that reflects rather than absorbs light.
Verse 8 — "Hands of a man under their wings" Human hands beneath wings: the angelic and the human are interwoven. Hands in Hebrew idiom signify agency, craft, and responsibility. Even these supreme angelic beings exercise a kind of purposive action through what looks like human instrumentality — a detail that will resonate in Catholic teaching about angels as ministers who serve through and alongside human history, never replacing it.
Verses 9–12 — Unified movement, Spirit-directed motion Verses 9 and 12 form a deliberate bracket: "They didn't turn when they went. Each one went straight forward." This is the Hebrew lo' yissabu— they had no need to turn, because all four faces already confronted every direction simultaneously. Their movement is not navigation but pure purposive advance. Most theologically charged is the phrase in verse 12: "Where the spirit () was to go, they went." The here — whether translated "spirit," "wind," or "breath" — is the animating divine will. These creatures do not initiate; they respond with perfect, instantaneous obedience. They are the paradigm of creaturely docility to God.
Catholic tradition reads this passage on multiple levels simultaneously, which is itself a witness to the Church's confidence in Scripture's inexhaustible depth (CCC 115–119).
Angelology: These creatures are identified explicitly as cherubim in Ezekiel 10:20, the highest order of celestial beings associated with the immediate presence of God, flanking the Ark of the Covenant (Exod 25:18–22). Catholic tradition, drawing on Pseudo-Dionysius the Areopagite's Celestial Hierarchy — received into the Latin tradition via Thomas Aquinas — understands cherubim as beings of surpassing knowledge, whose function is to bear and manifest the divine presence. The Catechism affirms that angels are "purely spiritual creatures" who "have intelligence and will" and "are servants and messengers of God" (CCC 328–330).
The Fourfold Gospel: St. Irenaeus, defending the canon of four Gospels against Gnostic selectivity, cites this very vision: "It is not possible that the Gospels can be either more or fewer in number than they are... the living creatures are quadriform, and the Gospel is quadriform." This patristic exegesis was ratified by councils and embedded in Christian iconographic tradition — the tetramorph adorns the tympana of medieval cathedrals and the four corners of illuminated Gospel books such as the Book of Kells.
Spirit and Obedience: The creatures' absolute docility to the ruach (v. 12) prefigures the spirituality of total surrender to God's will, which Catholic tradition calls conformitas voluntatis — conformity of will. This reaches its summit in Mary's fiat (Luke 1:38) and in Christ's Gethsemane prayer (Luke 22:42). The Council of Trent's teaching on grace and the Dominican-Thomistic tradition both insist that creaturely freedom is perfected, not abolished, by total orientation to God's will — a truth these unbending, forward-moving creatures dramatize with cosmic intensity.
For a Catholic today, Ezekiel's cherubim present two urgent invitations. First, they challenge our impoverished imagination of God. Contemporary culture, including much popular Catholic piety, domesticates the divine into the manageable and the comfortable. Ezekiel's vision — wild, symmetrical, multi-faced, blazing — refuses this. The Catechism warns that God "is always greater than our knowledge of Him" (CCC 230). Sitting with this passage in lectio divina, allowing the strangeness to remain strange, is itself a spiritual discipline.
Second, the creatures' movement — straight, undiverted, wholly Spirit-directed — is a concrete image for the examined Catholic conscience. How often do we "turn," swerving from what we know to be right toward what is easier or more self-serving? The cherubim do not turn because they have no competing loyalties. The practical question this passage poses is: In what areas of my life am I still turning rather than going straight forward in the Spirit's direction? Discernment in the Ignatian tradition asks precisely this: where is the consolatio — the movement of the Spirit — and am I following it without detour?
Verse 10 — The Four Faces: Man, Lion, Ox, Eagle This verse is the theological heart of the cluster. The four faces form a cosmological quarternity: man (rational creation), lion (king of wild beasts), ox (chief of domestic animals and sacrificial animals), eagle (sovereign of the sky). Together they represent the apex of each domain of animate life — the summit of the human, wild, domestic, and aerial realms all converging in one being. From the earliest centuries of the Church, these four faces were read typologically as symbols of the four Evangelists: man/Matthew, lion/Mark, ox/Luke, eagle/John. This reading, established by Irenaeus (Against Heresies III.11.8), Jerome (Commentary on Ezekiel), and Augustine (Harmony of the Gospels I.6), sees in Ezekiel's cherubim a prophetic prefiguration of the fourfold Gospel — the living Word carried on four wings to the four corners of the earth.