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Catholic Commentary
The Assyrian Host Advances and Encamps Against Bethulia
1The next day Holofernes commanded all his army and all the people who had come to be his allies, that they should move their camp toward Bethulia, seize the passes of the hill country, and make war against the children of Israel.2Every mighty man of them moved that day. The army of their men of war was one hundred seventy thousand footmen, plus twelve thousand horsemen, besides the baggage and the men who were on foot among them—an exceedingly great multitude.3They encamped in the valley near Bethulia, by the fountain. They spread themselves in breadth over Dothaim even to Belmaim, and in length from Bethulia to Cyamon, which is near Esdraelon.4But the children of Israel, when they saw the multitude of them, were terrified, and everyone said to his neighbor, “Now these men will lick up the face of all the earth. Neither the high mountains, nor the valleys, nor the hills will be able to bear their weight.5Every man took up his weapons of war, and when they had kindled fires upon their towers, they remained and watched all that night.
When the armies of the world surround you, the choice is not between fear and courage—it's between despair and defiance, between extinguishing your light and keeping watch anyway.
Holofernes marshals a staggering coalition force and moves it to encircle Bethulia, occupying every strategic pass and water source in the surrounding terrain. The sight of this vast multitude reduces the Israelites to terror, yet even in their dread they arm themselves and keep watch through the night. These opening verses establish the theological drama of the book: the overwhelming power of the world arrayed against the vulnerable people of God, who must choose between despair and vigilant faith.
Verse 1 — The Command to Advance: Holofernes acts with imperial decisiveness: he "commanded" (the verb signals total authority over a vast coalition) that the entire force, including allied peoples who had capitulated earlier in the campaign (cf. Jdt 3), move against Bethulia and "seize the passes of the hill country." This strategic detail is not incidental. Bethulia guards the mountain passes into the Judean heartland; to lose those passes is to lose Jerusalem and the Temple. The attack is thus not merely on a provincial town but on the very heart of Israel's worship and identity. The phrase "make war against the children of Israel" is a loaded biblical formula evoking the ancient wars of Canaan and of the Judges period, situating Holofernes in the lineage of Israel's archetypal enemies.
Verse 2 — The Size of the Army: The enumeration — 170,000 foot soldiers and 12,000 cavalry, plus baggage train and additional infantry — is a rhetorical device well-attested in ancient Near Eastern literature and in the Old Testament itself (cf. 1 Sam 13:5; 2 Chr 14:9). The numbers are meant to convey overwhelming, humanly irresistible force rather than to serve as a precise census. The phrase "exceedingly great multitude" (Greek: plēthos poly sphodra) echoes the descriptions of the locust-plague in Joel (Jl 1:6) and of Pharaoh's army pursuing Israel (Ex 14:9), deliberately placing this moment in a typological series: God's people perpetually threatened by forces that seem invincible by any human calculus.
Verse 3 — The Encampment and the Geography of Siege: The Assyrians do not merely approach — they spread. The geographical markers (Dothaim, Belmaim, Cyamon, Esdraelon) describe a deliberate envelopment: the army fans out across the valley in both length and breadth, occupying the fountain (the water supply) and all surrounding approaches. This encirclement is the tactical crux of the entire siege narrative that follows: Achior had already warned Holofernes that Israel's God was their strength (Jdt 5:20–21), and so the Assyrian strategy pivots to cutting off not sword but water. The mention of "the fountain" near Bethulia is narratively crucial — it will be the means of Bethulia's suffering and the test of its faith in the chapters ahead.
Verse 4 — Terror Among the Israelites: The Israelites' reaction is visceral and honest: they "were terrified" (exestēsan sphodra). Their speech — "These men will lick up the face of all the earth; neither the high mountains, nor the valleys, nor the hills will be able to bear their weight" — is hyperbolic, but it captures a genuine psychological collapse in the face of seemingly omnipotent evil. The image of the enemy "licking up the face of the earth" recalls the consuming imagery of fire and flood in the Psalms (Ps 124:3–5). Importantly, the narrator does not condemn this fear; the book of Judith is realistic about the experience of dread. What it will ultimately judge is whether fear leads to apostasy or to a deeper cry for God.
Catholic tradition has long read the Book of Judith as a drama of divine providence operating through human weakness and feminine courage — but the first act of that drama is always the establishment of the enemy's apparent invincibility. St. Jerome, who translated Judith into the Vulgate and defended its canonical status in the Western Church, understood the book as a meditation on how God confounds the proud: "Judith, a widow herself, overcomes Assyrian pride and frees the Israelite people" (Praefatio in Librum Judith). The Council of Trent confirmed Judith's canonical status (Session IV, 1546), affirming that this narrative belongs to the Church's inspired witness about God's ways with his people.
The Catechism of the Catholic Church teaches that Sacred Scripture must be read attentively to discern what the human author intends and what God, the principal author, wishes to reveal (CCC §109–110). In these verses, the literal sense — a massive military encirclement — opens onto a spiritual sense recognized by the Fathers: the soul's experience of being surrounded by the powers of sin, the world, and the devil, powers that seem utterly overwhelming. St. Augustine meditates in the Confessions on how the "armies" of disordered concupiscence and worldly pressure besiege the will (cf. Conf. VIII.5), and how divine grace alone tips the balance.
The night-watch of verse 5 resonates with the Church's tradition of vigiliae — the night offices of the Liturgy of the Hours — understood as Israel's watch keeping alive in the Christian community. Pope Benedict XVI, in Verbum Domini (§87), speaks of lectio divina as training the Church to "remain watchful" before the Word even in seasons of darkness. These verses thus belong to the Church's pedagogy of holy fear: acknowledging the reality of hostile forces without capitulating to despair, because the watchful community knows that the night, however long, does not have the last word.
Contemporary Catholics often face what might be called "the Judith moment" — the experience of looking out from the walls of faith at cultural, political, or personal forces that seem numberless and unstoppable: the secularization of institutions once shaped by Christian witness, the erosion of families, the internal wounds within the Church herself. Judith 7:1–5 offers neither denial nor despair as the proper response. The Israelites are terrified — and they light their fires and keep watch anyway. This is the model: clear-eyed acknowledgment of the scale of the threat, combined with the refusal to abandon one's post. Practically, this means Catholics should resist both naïve triumphalism ("it's not that bad") and paralytic anxiety ("nothing can be done"). Instead: keep the lights burning — in daily prayer, reception of the sacraments, faithful family life, and active parish community. The fires on the towers of Bethulia are an image of every Catholic household that refuses, in a dark cultural night, to let the light of faith go out.
Verse 5 — The Night Watch: The Israelites' response is twofold and significant: they arm themselves and they light fires upon the towers to watch through the night. This is the posture of soldiers who have not surrendered, even in terror. It anticipates the spiritual discipline of watchfulness (grēgorein) that runs through both Testaments. The night watch here is literal military vigilance, but in the typological sense it images the soul that, even when overwhelmed by the forces of darkness, refuses to extinguish its light or abandon its post. The fires on the towers are a small but defiant counterpoint to the vast encircling darkness of the Assyrian camp.