Catholic Commentary
The Crucifixion of Jesus
32As they came out, they found a man of Cyrene, Simon by name, and they compelled him to go with them, that he might carry his cross.33When they came to a place called “Golgotha”, that is to say, “The place of a skull,”34they gave him sour wine When he had tasted it, he would not drink.35When they had crucified him, they divided his clothing among them, casting lots,27:35 TR adds “that it might be fulfilled which was spoken by the prophet: ‘They divided my garments among them, and for my clothing they cast lots;’” [see Psalm 22:18 and John 19:24]36and they sat and watched him there.37They set up over his head the accusation against him written, “THIS IS JESUS, THE KING OF THE JEWS.”38Then there were two robbers crucified with him, one on his right hand and one on the left.
The soldiers mean to publish a criminal charge, but God uses their mockery to proclaim the truth: a crucified man is crowned King of the Jews—and of all creation.
In these seven verses, Matthew narrates the crucifixion of Jesus with stark, almost liturgical restraint. A stranger is pressed into service to carry the cross; Jesus is brought to Golgotha, offered drugged wine, stripped of his garments, nailed to the cross between two criminals, and publicly identified by a mocking inscription as "King of the Jews." In Matthew's telling, each detail — conscript, skull, lots, criminals, and title — is saturated with Old Testament echo and theological weight, revealing not Rome's triumph over a pretender, but the enthronement of the true Messianic King.
Verse 32 — Simon of Cyrene The soldiers "compelled" (Greek: ēggareusan, the same verb used in Matt 5:41 for being forced to carry a soldier's pack one mile) Simon of Cyrene to carry Jesus's cross. Cyrene was a major Jewish community in North Africa (modern Libya), and Simon was almost certainly a Diaspora Jew in Jerusalem for Passover. The detail is strikingly concrete: Mark (15:21) identifies him as "the father of Alexander and Rufus," suggesting these sons were known to early Christian communities — Rufus may even be the Rufus greeted in Romans 16:13. Simon's involuntary conscription becomes, paradoxically, the first enacted image of discipleship: immediately before the passion narrative, Jesus had said, "If anyone wishes to come after me, let him deny himself and take up his cross and follow me" (Matt 16:24). Simon, a stranger compelled by pagan force, unwittingly enacts the very posture of a disciple. That he carries the cross with Jesus — not instead of him — is theologically important; tradition (following Luke 23:26) envisions them walking together.
Verse 33 — Golgotha Matthew translates the Aramaic Gulgolta ("skull") for his Greek-speaking readers. The site was just outside the city walls (cf. Heb 13:12), near a main road — a place chosen for maximum public humiliation. The "skull" terminology has captivated interpreters since antiquity. Origen and Jerome preserve the tradition that Adam's skull was buried at Golgotha, making it the site where the second Adam (Christ) would reverse the curse of the first (cf. Rom 5:12–21). Whether historically accurate or not, this tradition captures a profound typological intuition: the place of death becomes the place of new creation.
Verse 34 — The Refused Wine The soldiers offer Jesus wine mixed with gall (cholēn), recalling Psalm 69:21 ("They gave me gall for food; for my thirst they gave me vinegar to drink"). The mixture was a rudimentary sedative offered sometimes to condemned prisoners. Jesus tastes it — establishing he is fully conscious and freely choosing his suffering — then refuses it. This refusal is deliberate: Jesus will drink the cup of suffering (cf. Matt 26:39, 42) to its full, undiluted depth, not a numbed or diminished version of it. His passion is not accident or endurance; it is a willed, lucid act of love.
Verse 35 — The Casting of Lots Matthew's account of the crucifixion itself is given in a single subordinate participial clause in Greek — stauroōsantes de auton ("having crucified him") — as if the act is almost too immense for direct narration. The soldiers then divide his garments by lot, fulfilling Psalm 22:18 with precision. The textual note in verse 35 reflects an important scribal tradition: later manuscripts (the Textus Receptus) insert an explicit citation of the Psalm, while earlier manuscripts leave the fulfillment implicit — which is actually the more powerful Matthean technique, trusting the reader to recognize the echo. Psalm 22 is the psalm that begins "My God, my God, why have you forsaken me?" (quoted by Jesus in Matt 27:46), meaning Matthew is weaving a sustained meditation on that single psalm across the entire crucifixion scene. The stripping of Jesus's garments also recalls the stripping of Joseph by his brothers (Gen 37:23), another "innocent sufferer" type.
Catholic tradition reads these seven verses not merely as historical reportage but as the fulcrum of salvation history — what the Catechism calls the "hour" toward which all of Jesus's ministry was directed (CCC 607). Several distinctly Catholic theological emphases illuminate this passage.
The Willing Sacrifice. Jesus's refusal of the pain-dulling wine (v. 34) is central to Catholic soteriology. The Council of Trent teaches that Christ offered himself as a "true, proper, and propitiatory sacrifice" (Session 22), requiring not merely his death but his conscious, free self-offering. Pope John Paul II's Salvifici Doloris (1984) deepens this: Christ's unreduced suffering is itself redemptive, because it is embraced in love. Jesus does not escape the cup — he drinks it fully.
The Titulus and Kingship. St. John Chrysostom (Homilies on Matthew, 87) notes that "King of the Jews" was meant to shame but instead proclaimed glory: "The very thing they intended for insult became a herald of the truth." The Second Vatican Council's Lumen Gentium (§3) affirms that Christ's kingship is exercised precisely through the cross — a "kingdom not of this world" (John 18:36) established in self-giving love, not coercive power.
Simon as Icon of Discipleship. The Church Fathers consistently read Simon of Cyrene as the archetypal Christian: Origen (Commentary on Matthew) calls him a type of the one who shares the Lord's burden. The Catechism (CCC 618) states explicitly: "The cross is the unique sacrifice of Christ... but it is also a sharing to which he invites all his disciples." Simon is, in the Catholic devotional imagination, the patron of every Christian who finds themselves involuntarily drawn into suffering they did not seek, and discovers Christ walking beside them.
Golgotha and the New Adam. The patristic tradition linking Adam's burial at Golgotha (Origen, Commentary on Matthew; Jerome, Epistle 46) gave rise to the iconographic convention — still visible in Catholic crucifixes — of a skull beneath the foot of the cross. This speaks to what St. Paul articulates in Romans 5: that where sin and death entered through one man, life and righteousness are restored through another "at the same spot," so to speak. The cross stands at the center of creation's wound and healing.
For contemporary Catholics, this passage calls for three concrete spiritual movements.
First, to be Simon: When suffering arrives uninvited — illness, injustice, grief, or the weight of another person's need — the instinct is to resist. Simon's story invites us to receive compelled suffering as a participation in Christ's cross, not as arbitrary misfortune. The Stations of the Cross, prayed weekly in many parishes, keep Simon's moment alive precisely because most Christians identify with him more than with willing martyrs.
Second, to read the titulus honestly: In a culture that privatizes and softens faith, the inscription over Jesus's head is a public, irreducible claim — This is the King. Catholics are called to profess Christ not as one good option among many spiritual paths, but as Lord of history and of every human life.
Third, to sit at the foot of the cross without flinching: The soldiers sat and watched (v. 36), but without understanding. The Church invites us to watch with understanding — through Eucharistic adoration, through contemplative prayer before the crucifix, through the Good Friday liturgy's solemn Veneration of the Cross. We watch not as bored guards, but as beloved children recognizing the lengths to which Love goes.
Verse 36 — The Soldiers Watch "They sat and watched him there." This bleak sentence — five words in Greek — captures the banal cruelty of Rome. The soldiers are bored guards doing a job. Yet for Matthew's reader, this watching is also unconscious witness. They will see the earthquake, the darkness, the torn veil, and their commander will confess: "Truly this was the Son of God" (Matt 27:54). The watchers become, despite themselves, the first Gentile witnesses to the identity of the crucified.
Verse 37 — The Titulus: "King of the Jews" Roman practice required a titulus — a placard stating the condemned man's crime — to be carried in procession and affixed above the cross. Pilate's inscription, "THIS IS JESUS, THE KING OF THE JEWS," was almost certainly intended as mockery of Jewish messianic hope and a political warning. But Matthew's Gospel, which opens by naming Jesus "son of David" (1:1), the one born "king of the Jews" (2:2), and before whom the Magi bow, reads the titulus with deep irony: Pilate unwittingly publishes the truth. The criminal charge is the theological proclamation. In John's account (19:19–22), the chief priests protest the inscription and Pilate refuses to change it — the only moment in the passion where Roman authority inadvertently serves divine revelation.
Verse 38 — Two Robbers Jesus is crucified between two lēstai ("robbers" or "brigands") — the same word used of the Temple traders in Matt 21:13 and of Barabbas's associates. This placement fulfills Isaiah 53:12 ("he was numbered with the transgressors") and creates a visual tableau: Jesus, the King of verse 37, is enthroned between two criminals as though they were his court. For Matthew, this is not irony negating the kingship; it is the kingship revealed. The throne of this King is a cross; his courtiers are the condemned; his kingdom is reached through the lowest place.