Catholic Commentary
Opening Invocation: God Arises to Scatter Enemies and Gladden the Righteous
1Let God arise!2As smoke is driven away,3But let the righteous be glad.
God's rising scatters evil like smoke before wind—not through brute force, but because wickedness has no substance to withstand holiness.
Psalm 68 opens with a battle cry drawn from the ancient Ark narratives, invoking God to rise and rout his enemies as smoke is dispersed and wax melts before fire. The righteous, by contrast, are summoned to exultant joy. In three compressed verses, the psalmist sets the entire theological drama of the psalm: divine power confronting evil, and the blessedness of those who align themselves with God.
Verse 1 — "Let God arise, let his enemies be scattered; let those who hate him flee before him!"
The psalm opens with a direct quotation from Numbers 10:35, the formula Moses spoke whenever the Ark of the Covenant set out from camp: "Arise, O LORD, and let your enemies be scattered." This intertextual anchor is not incidental — it locates Psalm 68 within Israel's wilderness theology, in which YHWH marches before his people as the divine Warrior. The Hebrew qûmāh ("arise") is a forceful imperative, a petition rather than a command, summoning God into active, visible intervention on behalf of his people. The "enemies" (ōyəḇāyw) are those who stand in active, hostile opposition to God's purposes — not merely Israel's military foes, but cosmic agents of disorder and death. "Flee" (yānûsû) denotes a panicked rout; the imagery is of an army that cannot stand its ground. For the original singer and congregation, this opening verse was simultaneously a liturgical act and a declaration of faith: to invoke God's rising is to trust that divine power is always available to be deployed against whatever threatens the community of covenant.
Verse 2 — "As smoke is driven away, so drive them away; as wax melts before fire, so the wicked perish before God."
Two vivid similes define the character of divine victory. Smoke before wind suggests not violent destruction but dissipation — evil has no substance to withstand God; it disperses as if it had never been. Wax before fire recalls the complete, irreversible dissolution of a material substance when it encounters a superior power. Together, these images teach that the enemies of God are ultimately insubstantial — fearsome to human eyes, but without ontological resistance to the divine presence. The word "perish" (yō'bədû) implies not simple absence but the collapse of a false existence; enemies are destroyed not by brute force alone but by the incompatibility of wickedness with God's life-giving holiness.
Verse 3 — "But let the righteous be glad; let them exult before God; let them be jubilant with joy!"
The adversative wə ("but") is crucial: the same divine arising that spells annihilation for the wicked is the source of extravagant joy for the ṣaddîqîm (the righteous). Three near-synonyms for rejoicing are stacked — śāmaḥ (be glad), 'ālaz (exult, leap), śîś (be jubilant) — building to a crescendo that anticipates the entire psalm's festal character. The righteous are not passive bystanders to God's victory; they are called to an embodied, vocal, exuberant response. "Before God" (lip̄nê 'Ĕlōhîm) indicates liturgical presence — this joy is enacted in worship, in the gathering of the community before the face of the Lord.
Catholic tradition brings several distinctive lenses to these verses.
The Resurrection as the ultimate "arising": St. Augustine in his Enarrationes in Psalmos reads Psalm 68 as a psalm of Christ and of the whole Christ (totus Christus). The cry "Let God arise" is fulfilled not on any battlefield but at the empty tomb. The Catechism of the Catholic Church (§648) teaches that Christ's Resurrection is a work of the entire Trinity — the Father "raising" the Son — which gives the imperative qûmāh its ultimate referent. Every liturgical use of this psalm, particularly in the Easter Vigil tradition of the Roman Rite, participates in that rising.
Divine Power and Created Fragility: The images of smoke and wax resonate with the Church's consistent teaching that evil has no positive ontological status — it is privation, the absence of good (CCC §385; St. Thomas Aquinas, Summa Theologiae I, q. 48). The enemies of God do not merely lose a contest; they dissolve because they are ultimately constituted by a lie.
Joy as Theological Virtue: St. Thomas identifies gaudium (joy) as a fruit of charity, a participation in the divine life (ST I-II, q. 70, a. 3). The triple exhortation to rejoice in v. 3 is thus not mere emotion but a theological state — the righteous rejoice because they share in God's own life, a foretaste of the beatitudo described in the Beatitudes (Mt 5:8) and expounded in the Catechism (§1720–1724).
For the contemporary Catholic, Psalm 68:1–3 offers a bracing corrective to a faith reduced to private sentiment. The psalm opens in the posture of bold, corporate petition — "Let God arise!" — which challenges any tendency to treat prayer as introspective therapy rather than as active engagement with spiritual realities. When a Catholic faces genuine hostility (persecution, moral pressure, spiritual oppression, illness, or injustice), these verses authorize a fierce confidence: the same God who routed Pharaoh and emptied the tomb is available to be invoked now.
Practically, Catholic families and individuals can recover the ancient practice of imprecatory prayer — not wishing personal harm to enemies, but asking God actively to arise and defeat the forces of sin and evil that threaten human flourishing. The morning offering can be structured around verse 3: choosing each day to stand among the ṣaddîqîm, the just, by aligning one's will with God's through confession, the sacraments, and acts of charity. The joy demanded here is not optimism but a theological stance — the decision, renewed daily, that God's victory is real and that one's life will reflect it.
Typological and Spiritual Senses: In the Catholic tradition, following Origen, Augustine, and the medieval fourfold sense, these verses carry a rich surplus of meaning. Typologically, the "arising" of God reaches its fullness in the Resurrection of Christ — the moment when the divine Son "arose" definitively, scattering the powers of sin and death. The smoke and wax imagery anticipates the Harrowing of Hell: before the risen Christ, the dominion of death dissolves. Morally, the verses call each soul to choose its side — to become, through grace, among the ṣaddîqîm who rejoice, rather than among those who, clinging to sin, dissolve in the light of God's holiness. Anagogically, the triple cry of joy in verse 3 prefigures the eschatological gladness of the saints in the beatific vision, exulting eternally before the face of God.