Catholic Commentary
Cry Against Enemies and Final Appeal to God's Covenant Character
14God, the proud have risen up against me.15But you, Lord, are a merciful and gracious God,16Turn to me, and have mercy on me!17Show me a sign of your goodness,
When pride rises against you, the answer is not to fight harder—it is to turn God's face toward you by holding him to his own mercy.
In the closing verses of Psalm 86, the psalmist — traditionally David — lays bare his crisis: proud enemies have risen against him, yet he anchors his plea not in his own merit but in the revealed character of God as merciful, gracious, slow to anger, and rich in steadfast love. The final petition, "Show me a sign of your goodness," is a cry for a visible, confirming token of divine favor that will silence the enemies and vindicate the faithful soul. Together these verses form a perfect arc of biblical prayer: honest lament, theological confession, and trusting petition.
Verse 14 — "God, the proud have risen up against me." The Hebrew word for "proud" (zēdîm) carries a force beyond mere arrogance; it denotes those who act presumptuously against God's order, who place their own will above divine law. This is the same word used in Exodus 18:11 and Psalm 119:21 for enemies of both God and the righteous. By naming them at the very outset of this final stanza, the psalmist does something theologically precise: he does not merely complain of personal enemies but identifies them as enemies of God's order. The phrase "risen up against me" (qāmû) echoes the language of insurrection — these are not passive adversaries but active aggressors whose violence is described with urgency. Crucially, the psalmist brings this situation directly to God without evasion or self-reliance. This is the liturgical posture of the anawim, the "poor of YHWH," who have no recourse but God.
Verse 15 — "But you, Lord, are a merciful and gracious God." The "but you" (wĕ'attâh) is one of the most charged pivots in the Psalter. It swings the prayer from crisis to confession with dramatic force. What follows is not an original formulation; it is a deliberate citation of Exodus 34:6, the great theophany at Sinai in which God reveals his own name and character to Moses after the golden calf catastrophe: "The LORD, the LORD, a God merciful and gracious, slow to anger, and abounding in steadfast love and faithfulness." By quoting this formula, the psalmist is doing something profoundly covenantal — he is holding God to his own self-disclosure. This is not presumption; it is faith at its most mature. The Church Fathers recognized this verse as a cornerstone of revealed theology. Augustine, commenting on this psalm, notes that God's mercy is not a reaction to human virtue but is constitutive of God's own being; we appeal not to what we deserve but to what God is. The word ḥannûn (gracious) and raḥûm (merciful, from reḥem, "womb") together suggest both the favor of a sovereign and the tenderness of a mother — a double register of divine love the Catholic tradition has always honored.
Verse 16 — "Turn to me, and have mercy on me!" The petition "Turn to me" (pĕnēh-ēlay) is physically evocative: the psalmist imagines God's face, God's attention, as having been elsewhere, and pleads for that gaze to fall upon him. This is the language of the Aaronic blessing (Numbers 6:25–26: "The LORD make his face shine upon you… the LORD turn his face toward you"). To have God's face turned away is, in Semitic idiom, the most complete experience of abandonment; to have it turned is life itself. The double imperative — "Turn" and "have mercy" — intensifies the urgency. The psalmist then adds a remarkable confidence: "Give your strength to your servant, and save the son of your maidservant." This self-identification as "servant" and "son of your maidservant" is a claim to household belonging, not just treaty relationship. He is not a stranger petitioning a distant king but a member of the divine household, born into service.
Catholic tradition illuminates this passage at several levels simultaneously. First, the citation of Exodus 34:6 in verse 15 is recognized by the Catechism of the Catholic Church as foundational to revealed knowledge of God: "God's very being is love" (CCC §221), and the Exodus formula is its Old Testament bedrock. The Church teaches that this self-revelation at Sinai is not merely historical information but normative — God binds himself, so to speak, to his own announced character, which is why it can be cited back to him in prayer.
Second, St. Augustine's Enarrationes in Psalmos on Psalm 86 identifies the psalmist's voice with Christ himself praying in his members. The "proud" who rise against him are the spiritual forces opposed to the Kingdom; the "merciful and gracious God" is the Father to whom the Son in his humanity appealed from Gethsemane to Golgotha. This Christological reading, standard in the patristic tradition, means that every Catholic who prays this psalm joins Christ's own prayer — not merely imitating it from the outside, but participating in it from within.
Third, the request for a "sign" (v. 17) resonates with Catholic sacramental theology. The Church has always held that God's grace is characteristically mediated through visible signs — the sacraments are precisely "signs of goodness" that both effect and exhibit divine mercy (CCC §1131). When the psalmist asks for a visible confirmation of God's favor, he is praying from the same instinct that led the Church to recognize the sacramental principle as inscribed in God's way of acting in history.
Pope Benedict XVI, in Verbum Domini (§22), emphasized that Christ is himself the living "sign" — the definitive 'ôt — in whom God's goodness becomes fully visible. Verse 17 thus reaches its complete fulfillment in the Incarnation.
Contemporary Catholics live in a culture saturated with the kind of pride the psalmist names: ideological systems, social pressures, and personal adversaries that dismiss or actively oppose a life ordered to God. Verse 14 gives permission to name this honestly in prayer — not with bitterness, but with the directness of someone who knows where to bring it.
The pivot of verse 15 is the practical heart of this passage for today: when circumstances are overwhelming, the antidote is not a mood change or a motivational strategy, but a deliberate act of theological memory. Call to mind who God has revealed himself to be. This is why the Liturgy of the Hours, which includes this very psalm, is so formative — it repeatedly reanchors the Christian in God's revealed character before the day's pressures arrive.
Concretely: if you face opposition — in the workplace, in your family, in public life — for living your Catholic faith, pray verse 16 verbatim. "Turn to me, and have mercy on me." Ask for a "sign of goodness" — not as a demand, but as an act of trust that God's faithfulness will become visible in your situation, and that your perseverance through it will itself become a witness that silences contempt and gives glory to God.
Verse 17 — "Show me a sign of your goodness." The request for a "sign" ('ôt) echoes the biblical tradition of God confirming his word through a perceptible token — the rainbow (Genesis 9), the fleece of Gideon (Judges 6), the shadow retreating on the sundial for Hezekiah (Isaiah 38). It is not unbelief that asks for such a sign; it is the desire for sacramental confirmation, for grace made visible. The purpose, however, is startlingly other-directed: "that those who hate me may see it and be put to shame." The sign is not merely for personal consolation but for the vindication of God's name before a watching world. This outward-facing dimension of the petition anticipates the New Testament understanding that the Christian's rescue from evil is itself a witness (martyria) to the nations. The typological resonance here is rich: the "sign of goodness" that God ultimately shows is the Cross and Resurrection — the definitive divine response to human pride and violence, the ultimate vindication of the faithful servant.