Catholic Commentary
The Ephah Carried to the Land of Shinar
9Then I lifted up my eyes and saw, and behold, there were two women; and the wind was in their wings. Now they had wings like the wings of a stork, and they lifted up the ephah basket between earth and the sky.10Then I said to the angel who talked with me, “Where are these carrying the ephah basket?”11He said to me, “To build her a house in the land of Shinar. When it is prepared, she will be set there in her own place.”
Wickedness gets a throne, but not a home — God exiles evil to Shinar where it will remain eternally homeless, while the faithful dwell in Zion.
In the seventh and final vision of Zechariah's night sequence, two winged women carry a sealed ephah basket — containing a personified "Wickedness" (Zech 5:8) — far from the restored land of Israel to a permanent dwelling in Shinar. The vision functions as a divine act of purification: evil is not merely suppressed but exiled, enshrined in its own corrupt kingdom far from the holy city. For Catholic readers, this oracle announces that holiness and iniquity cannot share the same ground — a truth with deep ecclesiological and eschatological resonance.
Verse 9 — The Two Winged Women The prophet's signature formula, "I lifted up my eyes," signals a decisive new element within the same visionary unit begun in 5:5. Two women now appear, distinguished from all other figures in Zechariah's visions: they are female, they are multiple, and they bear wings "like the wings of a stork" (Hebrew: ḥăsîdāh). The stork was considered an unclean bird under Mosaic law (Lev 11:19; Deut 14:18), and the word ḥăsîdāh itself is cognate with ḥesed ("steadfast love" or "loyalty") — a bitter irony, since these agents carry not covenant faithfulness but its counterfeit, a wickedness dressed in the form of power. The "wind in their wings" (rûaḥ — the same word for breath, spirit, or wind) suggests irresistible, supernaturally borne momentum. They lift the ephah "between earth and the sky," in the liminal space between the human and the divine orders — a carrying that is neither fully of this world nor of heaven, but something transitory, on its way somewhere.
The identity of the two women is deliberately ambiguous. They are not named angels, nor are they wicked themselves — they are functionaries of the divine decree. Jerome noted that their role is instrumental: they do not originate the exile of wickedness but execute it. Some patristic interpreters (including elements of the Alexandrian tradition) read them as figures of divine providence working through what appears morally opaque to accomplish a holy end.
Verse 10 — The Prophet's Question Zechariah's question, "Where are these carrying the ephah basket?" mirrors the interrogative pattern throughout the night visions (cf. 1:9; 4:4; 6:4), where the prophet's honest confusion becomes the occasion for divine disclosure. The question is not merely geographical but theological: where does wickedness ultimately belong? The prophet does not yet know. His asking invites the interpretive angel (mal'āk) to complete the revelation.
Verse 11 — Shinar: The House of Wickedness The destination is "the land of Shinar," one of the most theologically loaded place-names in the Hebrew Bible. Shinar first appears as the site of Nimrod's kingdom (Gen 10:10), the plain where the Tower of Babel was built (Gen 11:2) — the archetypal human project of self-deification and rebellion against God. It reappears in Daniel 1:2 as the land to which Nebuchadnezzar carries the Temple vessels — the anti-Temple, the place where sacred things are profaned. To say that wickedness will be "set there in her own place" (Hebrew: mĕkônāh, a word used elsewhere for the fixed base of the Temple's bronze sea, 1 Kings 7:27–39) is to say that Babylon-Shinar is the temple of evil — a dark parody of Zion. Wickedness receives what it has always sought: a throne, a house, a cult — but far from the holy land.
Catholic tradition reads this passage within its broader theology of evil, providence, and the indefectibility of the Church. Several threads of doctrinal significance emerge.
Evil Has No Lasting Home in the Holy City. The Catechism teaches that God permits evil only insofar as he can draw from it a greater good (CCC §311–312), and that the drama of history moves toward the definitive separation of good and evil at the Last Judgment (CCC §1038–1041). Zechariah's vision dramatizes this theologically: wickedness is not annihilated in time but quarantined — given its "own place" in Shinar — until the final disclosure. St. Augustine's City of God frames this precisely as the Two Cities: Jerusalem and Babylon, the city of God and the city of self-love, which coexist in history but will be permanently separated in eternity (De Civ. Dei XIV.28).
The Parody Temple. The use of mĕkônāh — the term for the Temple's fixed bases — for wickedness's "place" in Shinar is noted by Jerome in his Commentary on Zechariah: evil mimics the sacred, erecting its own cult and its own house. This anticipates Paul's "man of lawlessness" who "takes his seat in the temple of God, proclaiming himself to be God" (2 Thess 2:4) and Revelation's Whore of Babylon enthroned in glory. The Catechism's treatment of the Antichrist (CCC §675–677) warns of this supreme religious deception before the Lord's return.
Providence Working Through Ambiguous Instruments. The unnamed winged women — unclean-winged, yet doing divine work — reflect the Thomistic principle (Summa Theologiae I, q. 22, a. 2) that divine providence governs all things, including agents whose own nature is morally complex, without itself becoming implicated in their limitations. God uses the "wind" to carry what must be carried away.
Contemporary Catholics live in a culture where the "house in Shinar" is always under construction — ideological systems, consumerist structures, and political messianisms that promise the stability and flourishing that only God can give. This vision offers two concrete applications.
First, it resists despair. Wickedness that appears triumphant and enthroned — in institutions, in culture, in one's own life — is not home. It is in transit, being carried somewhere it belongs but does not yet fully occupy. The believer can hold the tension of evil's apparent dominance precisely because the angel has already disclosed the destination.
Second, it calls for discernment about what we enshrine. Every community, parish, family, and heart has its own "ephah" — a container in which something is hidden and carried. The question Zechariah asks — "where are these carrying it?" — is the question of moral and spiritual formation: what are the habits, structures, and loyalties of my life carrying me toward? Am I building a house in Shinar or in Zion? Pope Francis's Evangelii Gaudium §231 speaks of "realities being greater than ideas," and this vision concretizes that: the spiritual life is not about abstract virtue but about the actual direction in which we are being borne.
The phrase "when it is prepared" implies that this is not yet complete; it is eschatologically pending. The house is being built. This forward-looking element opens the vision toward the New Testament's image of "Babylon" as the enduring symbol of all human systems organized against God (Rev 17–18).
Typological and Spiritual Senses On the allegorical level, the removal of the ephah from Judah to Shinar enacts a principle of eschatological separation: the final state of creation will involve the complete exile of evil from the holy community. On the anagogical level, the "prepared place" of Shinar anticipates the New Testament's Babylon, whose fall is announced in Revelation 18. On the moral level, the passage calls the faithful to identify and refuse complicity with what appears powerful and self-enthroned — the systems of Shinar are always being "prepared" in every age.